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Underdog Images

Seekor anjing jenis hound bernama Shoeshine tanpa sengaja menjadi objek percobaan lab seorang ilmuwan. Kecelakaan ini menyebabkan Shoeshine memiliki berbagai kekuatan yang ajaib. Ia bisa menembus tembok, mengangkat benda-benda yang berat, bisa berpikir lebih cepat dari pada manusia dan bisa berbicara (suara oleh Jason Lee).

A laboratory accident gives an ordinary beagle named Shoeshine (voiced by Jason Lee) unparalleled superpowers, including the ability to speak with a human voice. He is soon befriended and adopted by a lonely 12-year-old boy named Jack (Alex Neuberger). The two develop an even greater bond when the boy learns of the dog’s incredible powers and they develop for the dog a secret identity as the crime-fighting pooch Underdog.

Dressed in his very own superhero outfit, Underdog flies over Capitol City, protecting its citizens from unforeseen tragedies and keeping a close eye in particular on a beautiful Cavalier King Charles Spaniel named “Sweet” Polly Purebred (voiced by Amy Adams). When the dastardly, mad scientist named Simon Barsinister (Peter Dinklage) and his overgrown henchman Cad (Patrick Warburton) threaten to destroy the city, Underdog, truly “man’s best friend,” may be the citizens’ only hope.


Directed by: Frederik Du Chau
Actor: Jason Lee, Dan Aykroyd
Actress: Amy Adams
Underdog

"Underdog" was a delightful low-budget 1960s television cartoon series, created by Total Television, a major contender in the Jay Ward "Rocky & Bullwinkle" school of animated TV satire. The crudely-drawn characters, brought to life by voice talent superstars such as Wally Cox and Alan Freed, were simplistic, even pathetic, and wholly lovable. So cheap and threadbare was the production, its very existence was a metaphor, an "underdog" of the TV cartoon genre.

What Disney has done with this abominable remake is to take every single element that made the original series endearing and toss it out the window, superimposing the absolute worst in current cinema to create a bloated, ugly, unrecognizable mongrel.

The original Underdog was a strangely-drawn dog, most likely a beagle. In a vapid attempt to make it more realistic, the remake "improves" this charming conceit by substituting a boring, real beagle. To add insult to injury, the beagle's mouth is animated via those horrible CGI tricks that have cursed "talking animal" movies since BABE.

A huge part of the original Underdog's charm was his pathetic, fey, nerdy voice, with Wally Cox's efforts embodying the lovable geek outcast persona which was essential to the character's sympathetic nature. The remake Underdog talks like a teenage airhead, with a raspy, arrogant, smart-ass vocal character that makes you immediately hate him.

Thanks to more second-rate CGI rubbish, Underdog can fly. Wow. Underdog's arch-rival, Simon Bar-Sinister was one bizarre dude, easily likable and loathsome at once; Peter Dinklage's redux is just another lame action-hero stereotype, and as homo-erotic as Topher Grace in SPIDERMAN 3.

This is arguably the most ill-conceived remake project since LEAVE IT TO BEAVER and FLIPPER, although Hollywood remakes of TV series have, with remarkably few exceptions, been bad ideas from start to finish. Updating vintage pop culture to mirror the bland, soulless modern day cultural environment is a concept doomed from the start, and only Hollywood would dare something so blind and self-destructive. Image someone in the fine art world taking a Van Gogh painting and pretending to "improve" it by Photoshopping all the crude spots out! They would be tarred and feathered and run out of town! Yet Hollywood gleefully takes beloved cultural icons and gruesomely dismembers them until they are little more than familiar corpses (think THE HONEYMOONERS, WILD WILD WEST, DRAGNET, etc.) One of the few remake series to escape this violent fate was the Brady Bunch movies, which fiercely maintained the vintage look and feel of the original TV series, and merely superimposed some tawdry sexual content, to brilliant effect.

UNDERDOG, the remake, should have been a cartoon, indeed, a BAD cartoon, with goofy drawings, weird voices, and a boss soundtrack, a lovingly retro experience and not the soul-dead live-action mutation that it is. The question is, if the goal is to take everything out which made the original lovable, why bother remaking it? Is the name value alone sufficient to warrant such a crass, cynical move? Of course, for every person who mourns the death of cinema with every new flop like this, there will be another goon who grunts, "This movie looks freaking awesome!" But surely, this witless piffle merely confirms what many movie-lovers already know, and drastically dwindling box office receipts confirm: Corporate Hollywood is terminally ill, and poisoning our culture to death. It is high time to put it down. Don't go to the theater, don't rent the video, don't buy the DVD, don't even mention that a movie like this exists. Ignore it completely. Watch old movies. Make a stand.


The Last Mimzy Images

Dua orang kakak beradik menemukan sebuah kotak misterius yang berisi benda-benda aneh yang mereka kira mainan. Salah satu dari mainan yang berada di dalam kotak adalah sebuah boneka kelinci yang bernama Mimzy yang "mengajarkan" mereka banyak hal. Semakin mereka bermain dengan "mainan-mainan" ini, mereka berubah menjadi anak-anak jenius yang membuat takjub dan ngeri guru-guru dan orang tua mereka. Apalagi setelah Emma (Rhiannon Leigh Wryn) mengatakan bahwa Mimzy membawa pesan penting dari masa depan.

Two children discover a mysterious box that contains some strange devices they think are toys. They begin to display higher and higher intelligence levels. Their teacher tells their parents that they seem to have grown beyond genius.

Their parents, too, realize something extraordinary is happening. Emma, the younger of the two, tells her confused mother that one of the toys, a beat-up stuffed toy rabbit, is named Mimzy and that "she teaches me things."

Things quickly spin wildly out of their control. The children are focused on these strange objects, Mimzy, and the important mission on which they seem to have been sent. Everyone realizes they are involved in something incredible but exactly what?

Based on the acclaimed sci-fi short story by Lewis Padgett.


Directed by: Robert Shaye
Actor: Chris O'Neil, Timothy Hutton
Actress: Rhiannon Leigh Wryn
The Last Mimzy

A mimzy -- to answer your burning question -- is a tattered, plush bunny stuffed with cotton and an alien nervous system that gives the doll artificial intelligence. Scientists from a dying future need a sample of good DNA, so they teleport the last of these rabbits to a Seattle beach in our present day, where precocious siblings Noah (Chris O’Neil) and Emma Wilder (Rhiannon Leigh Wryn) scoop the toy up and bring it home.
So begins Robert Shaye's pleasant adventure The Last Mimzy, inspired by Lewis Padgett's short story Mimsy Were the Borogoves, which should do for sci-fi exploration what Robert Rodriguez's Spy Kids franchise did for family espionage. The adults in Noah's life -- from his parents (Joely Richardson, Timothy Hutton) to his science teacher (Rainn Wilson) -- are too caught up in their daily routine to notice that the boy is changing. It isn't until Mimzy causes a citywide blackout that the military -- personified by Michael Clarke Duncan -- comes snooping around. The movie, at this point, begins to mimic E.T. without actually becoming its emotional equivalent.
Shaye's day job is co-CEO for New Line Studios -- he helped greenlight the Lord of the Rings franchise (hooray!) and continues to impede Peter Jackson from attempting to film The Hobbit (boo!).
Behind the camera for the first time since 1990's Book of Love, Shaye nails some important themes that keep Mimzy relevant and accessible. The film establishes a comforting family dynamic in the Wilders, despite the omnipresence of technology. One of my favorite scenes in the film finds dad David (Hutton) trying to connect with Noah after a hard day's work. He has to repeatedly ask the boy to turn off a blaring video game system so the two can have an actual face-to-face.
Too many parents in the audience will identify. They'll also enjoy the antics of Wilson, who tones down his dominant Dwight persona from NBC's The Office to find the hippie Pacific Northwest vibe of a Mister Wizard professor who's too cool for school. And most moms and dads will rush home from the theater to download Roger Waters' trippy original tune "Hello (I Love You)", which plays over the movie's end credits. It easily could be a lost track from Pink Floyd's Dark Side of the Moon album.
The rest of Mimzy appeals directly to pre-teens, primarily boys primed for fantastic adventures. Newcomers O'Neil and Wryn are finds. As Noah and Emma play with their space toys, they grow infinitely more intelligent, but the child actors never lose the important sense of innocence that powers these precious voyages.
The DVD includes many deleted scenes and copious making-of featurettes, interactive games, and New Line's Infinifilm features, which integrates even more featurettes and trivia into the film.


Ratatouille Images

Remy adalah seekor tikus yang bermimpi menjadi koki Perancis yang handal. Suatu hari secara tidak sengaja, Remy tersesat ke gorong-gorong kota Paris dan berakhir di bawah sebuah retoran Perancis yang terkenal dengan koki andalannya, Auguste Gusteau. Impian Remy untuk menjadi koki terbantu oleh seorang anak muda yang sedang diambang pemecatan dan menemukan Remy lalu menjadi temannya. Mereka menjadi tim kompak yang membuat dunia kuliner kota Paris porak poranda.

A rat named Remy dreams of becoming a great French chef despite his family’s wishes and the obvious problem of being a rat in a decidedly rodent-phobic profession. When fate places Remy in the sewers of Paris, he finds himself ideally situated beneath a restaurant made famous by his culinary hero, Auguste Gesteau.

Despite the apparent dangers of being an unlikely – and certainly unwanted – visitor in the kitchen of a fine French restaurant, Remy’s passion for cooking soon sets into motion a hilarious and exciting rat race that turns the culinary world of Paris upside down.


Directed by: Brad Bird
Actor: Lou Romano, Peter O'Toole
Actress: Janeane Garofalo
Ratatouille

A fine red wine only gets better with age. Long before that cork is popped and the first pour hits your favorite wine glass, you already know how great that vintage vino is going to taste. Much like that bottle of wine, the animated films from Pixar Studios keep getting better with time. So how appropriate is it that its latest offering, Ratatouille, is all about delicious food, family and friends, and a glass of wine to wash it all down.
Ratatouille is an intricate dish, infused with energetic and amusing storylines that are all fully cooked and complementary to the film's rich visual look. It's easily the best Pixar creation next to The Incredibles; arguably it's even better. No surprise that Ratatouille is written and directed by Brad Bird, the same mastermind behind The Incredibles. Bird excels at integrating thematic elements that will entertain the youngest and oldest members of the audience alike.
The film's unlikely hero is a rat named Remy (Patton Oswalt). He roams the fields of the French countryside with his brother (Peter Sohn), father (Brian Dennehy), and their extended rat pack. Remy loves his family, but isn't content with feeding on yesterday's garbage like all the others. He's got a finer sense of smell that leads him to a small cottage where the inhabitants cook gourmet meals according to the recipes of the great French chef Gusteau (Brad Garrett).
Luckily for Remy, a series of events leads him inside the walls of Gusteau's Parisian restaurant. Unfortunately, Remy's arrival also coincides with big changes in the restaurant's kitchen and a nasty review from the city's top food critic, Anton Ego (Peter O'Toole). Gusteau's new head chef, Skinner (Ian Holm), could care less about cooking up delectable dinners from Gusteau's cookbook that would appease the critics. He's most interested in turning out a new line of frozen microwavable foods; something he says is very American.
Remy goes right to work in the restaurant's kitchen, sprucing up the soup of the day after a garbage boy named Linguini (Lou Romano) has willfully contaminated it. With Remy's changes, the soup becomes a hit and Linguini becomes an unlikely hero. The boy has no clue what rosemary or thyme is, but the rat does. The two form an unlikely partnership where Remy directs Linguini's actions in the kitchen from under his chef's hat. Using Linguini's hair, Remy controls Linguini in much the same way a puppet master guides his marionette. Now, the restaurant is as popular as ever. But how long will it last?
Ratatouille is alive, and full of passion for life and food. The kitchen is aglow with delectable eats that look incredibly inviting. You can almost smell the wonderful aromas floating through the kitchen like that of the freshly baked bread or the simmering soup on the stove. What's even more fascinating is watching the cooks put all the elements together. The chopping of vegetables, the shaking of spices, and the spreading sauce over the finished product is like witnessing poetry in motion.
More than just art, at the core of Ratatouille are wonderful messages for the kids about compassion and determination. Remy is dedicated to improving the lives of his brother and father by providing them with better food and shelter. By letting Linguini take all of the credit for his culinary creations, Remy shows a selflessness that defines true friendship. And in many ways, Remy's difficult journey to achieve an impossible (and improbable) goal proves that even the toughest dreams can come true.
If there is any complaint to be made about Ratatouille, it's the lack of big name celebrity voices in the cast. Who cares? So you can't play the "who's that voice?" guessing game, but why would you need to? There are so many exciting elements to the film -- the genial slapstick comedy and the beautiful photorealistic visual look of Paris -- there's no time for distractions.
Bring your hardiest appetite. Ratatouille is immensely satisfying.

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