film Norbit Images

Norbit (Eddie Murphy) has never had it easy. As a baby, he was abandoned on the steps of a Chinese restaurant/orphanage and raised by Mr. Wong (Eddie Murphy). Things get worse when he’s forced into marriage by the mean, junk food-chugging queen, Rasputia (Eddie Murphy). Just when Norbit’s hanging by his last threat, his childhood sweetheart, Kate (Thandie Newton), moves back to town.

Hidup Norbit (Eddie Murphy) tidaklah mudah. Saat masih kecil, dia ditinggalkan ditangga rumah makan Cina/panti asuhan dan dipelihara oleh Tuan Wong (Eddie Murphy). Segalanya menjadi lebih buruk saat ia dipaksa untuk menikah dengan wanita sadis, ratu rakus makanan siap saji, Rasputia (Eddie Murphy). Hanya berselang beberapa hari sebelum pernikahannya, kekasih masa kecil Norbit, Kate (Thandie Newton), hadir kembali.

Players: EDDIE MURPHY, CUBA GOODING JR., THANDIE NEWTON, TERRY CREWS
Directed by: BRIAN ROBBINS
Written by: EDDIE MURPHY/CHARLES Q. MURPHY
Producer: MICHAEL TOLLIN, BRIAN ROBBINS, DAVID HOUSEHOLTER
Production Company: PARAMOUNT PICTURES
Homepage: http://www.meetnorbit.com/
Trailer: http://www.meetnorbit.com/

film The Reaping Images

The former Christian missionary, who lost the faith after her family was tragically killed, has since become a world renowned expert in disproving religious phenomena.

But when she investigates a small Louisiana town that is suffering from what appear to be the Biblical plague, she realizes that science cannot explain what is happening, and she must regain her faith to combat the dark forces threatening the community.

Mantan misionaris Kristen, yang kehilangan kepercayaannya setelah keluarganya terbunuh secara tragis, terkenal sebagai ahli dalam pembuktian fenomena agama.

Namun saat ia menyelidiki kejadian di kota kecil Louisiana yang nampak seperti sepuluh gejala bencana yang tertera dalam Injil, ia menyadari bahwa ilmu pengetahuan tidak bisa menjelaskan apa yang sedang terjadi, dan ia harus mendapatkan kepercayaannya kembali untuk memberantas sisi gelap yang mengancam kehidupan mereka.

Players: HILLARY SWANK, DAVID MORRISEY, ANNA SOPHIA ROBB, IDRIS ELBA
Directed by: STEPHEN HOPKINS
Written by: CHRISTOPHER MARKUS/STEPHEN MCFEELY
Producer: ERIC OLSEN, STEVE RICHARDS (III), BRUCE BERMAN
Production Company: WARNER BROS. PICTURES
Homepage: http://thereapingmovie.warnerbros.com/
Trailer: http://thereapingmovie.warnerbros.com/

Trouble sleeping? Try The Reaping. As Stephen Hopkins' sinfully boring devil dance continues creeping, at your watch you'll be peeping. By the time you reach the preposterous conclusion, where a sequel-establishing twist looms like a Biblical plague, for humanity you'll be weeping.

You'll need more than faith to accept the film's ridiculous premise, cooked up by sibling screenwriters Carey and Chad Hayes. These two can't distinguish between horrifying and horrible. They last collaborated on the dreadful House of Wax remake starring Paris Hilton. Enough said.

Once an ordained minister, Katherine Winter (Hilary Swank) now dedicates her professional life to debunking the modern miracle -- a tragic loss has shaken her faith in the existence of God. Katherine's skepticism keeps her at arm's length from former colleague Father Costigan (Stephen Rea), who detects unmistakable signs that Katherine's life is in danger. Ignoring the clergyman's passionate warnings, she springs into investigative mode after the Bible-Belt town of Haven, located a short drive from Katherine's Louisiana office space (very convenient), starts experiencing the first of 10 legendary plagues.

Doug (David Morrissey), the local science teacher, shares Katherine's belief that there's a reasonable explanation why the nearby river flows blood red and frogs are falling from the sky. But the fanatical townsfolk, carved straight from Hollywood's testament of stock southern stereotypes, place the blame on 12-year-old Loren McConnell (AnnaSophia Robb), the blonde-haired and barefoot spawn of an inbred family hell bent on sacrificing all second-born children in the Bayou neighborhood.

Swank holds her head high and keeps her chin stiff as the cynic poking her finger through the film's visible seams. We half expect her, at any minute, to deduce with the confidence of Nancy Drew what's causing this movie to stink so badly.

She's not alone. Co-star Idris Elba's welcome sarcasm slices through the film's overly serious tone. He plays Ben, Katherine's street-smart (or, in this case, swamp-smart) assistant whose unshakable convictions keep him in the game. He's far more interesting than Morrissey, who has an odd "hula, hula" delivery to his leaden lines that reminds me of a young Elvis Presley.

What's really causing these supposed disasters? The Hayes brothers burden Swank with numerous dry speeches about scientific explanations and the history of faux plagues. Stimulating lectures have no place in jolting thrillers, however, and the dull Reaping slowly deflates like a balloon that has been pin-pricked.

Of course, we're supposed to suspect much darker causes. To paraphrase Dana Carvey's Church Lady character, "Could it be… Satan?"

Granted, my Old Testament knowledge is rusty, but I believe the devil has more weapons at his (or her) disposal when terrifying non-believers than creaking doors, whistling tea kettles, and power outages in the dead of night. Where's the fire? Where's the brimstone? Hopkins unleashes waves of locusts and pint-sized meteors late in the game, but his digital creations set horror effects back about three decades.

Actually, that's not entirely true. If we turn the page back 30 years, we find William Friedkin's unsurpassed The Exorcist, which dragged a teenage girl through the demonic ringer in more convincing fashion. Exorcist did more with a can of pea soup than Reaping could do with its entire effects budget. If anything, Hopkins' hideous film reminds us why Friedkin's masterpiece remains, to this day, the most horrifying movie ever made

film Good Shepherd Images

Teenage Mutant Ninja Turtles (TMNT).


After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Master Splinter, becomes worried when strange things begin to brew in New York City. Tech-industrialist Max Winters is amassing an army of ancient monsters to apparently take over the world. And only one super-ninja fighting team can stop them—those heroes in a half shell—Leonardo, Michelangelo, Donatello and Raphael!

With the help of old allies April O'Neil and Casey Jones, the Turtles are in for the fight of their lives as they once again must face the mysterious Foot Clan, who have put their own ninja skills behind Winters' endeavors.

Setelah kalah dari musuh mereka, Shredder, para Kura-kura tumbuh bersama sebagai sebuah keluarga. Berusaha untuk tetap bersatu, sensei tikus mereka, Tuan Splinter, cemas saat hal aneh terjadi di Kota New York. Ahli teknologi Max Winters mengumpulkan monster kuno untuk mengendalikan dunia. Dan hanya satria-super-ninja yang dapat menghentikan mereka—para pahlawan bercangkang—Leonardo, Michelangelo, Donatello dan Raphael!

Dengan pertolongan persekutuan April O'Neil dan Casey Jones, para Kura-kura kembali melawan klan Kaki yang misterius, yang telah delatih ketrampilan ninja oleh Winter.

Players: voices of PATRICK STEWARD, SARAH MICHELLE GELLAR, ZHANG ZIYI, CHRIS EVANS, KEVIN SMITH
Directed by: KEVIN MUNROE
Written by: KEVIN MUNROE
Producer: PETER A. LAIRD, FRANCIS KAO, GARY RICHARDSON
Production Company: THE WEINSTEIN COMPANY
Homepage: http://tmnt.warnerbros.com/
Trailer: http://tmnt.warnerbros.com/


On Sunday night, a friend of mine recanted his experience of seeing TMNT, the digitally-animated follow up to the three live-action Teenage Mutant Ninja Turtles films that were released in the early/mid-'90s. As he put it, he walked into the theater and was greeted by the ingratiating sound of children yelping and hollering with their parents solemnly sitting shotgun. Being nostalgic for his days of Turtle fandom, he sat down and noticed four other men of post-college age waiting in the tangle web of toddlers. There was a sense of comradery there as they all realized, for better or for worse, they were there simply for nostalgia.

This was also my feeling while viewing the first incarnation of Donatello, Raphael, Leonardo, and Michelangelo to come around in ten-plus years. There was no critical lens through which I chose to watch it; it simply satisfied something that was missing. Everyone has one: Another friend expressed that he had enjoyed Ghost Rider on the basic terms of it's, as he put it, "bad-assery."

With its latest installment, the Turtles find themselves without a leader. Leonardo has been sent to Central America to study leadership techniques to more properly head the TMNT team (slightly absurd given Hunter College is a 30-minute subway ride from where the Turtles live). As well, Donatello has taken a computer repair job, Michelangelo has become a party host for birthdays, and Raphael has donned a metal suit and gone on protecting NYC in the guise of "The Nightwatcher." When Leo is coaxed back by April O'Neil (voiced by Sarah Michelle Gellar), he finds his team in shambles, hardly in shape to take on tycoon Max Winters (voiced by Patrick Stewart). See, Winters has brought back four generals from 3000 years ago to banish a plague of 13 monsters that were released when a powerful warlord found the secret to immortality; as it happens, Winters is the warlord that released them.

Though one pines for the 2D-animated glory of the television series and comic books that were popular in the late '80s and early '90s, director Kevin Munroe hasn't done a half-bad job bringing the Turtles into the new century. As kid's fodder, TMNT is proficient, giving enough entertainment to inspire a new wave of idols and ample space for sequels. Sure, one could gripe that the radical theme music has been ditched, the pizza devouring has been kept to a minimum, and it doesn't live up to the first live-action film in darkness and violence. Don't even get me started on the lack of Krang here.

What TMNT supplies is a reason. A reason to reinvigorate the series, to remember one's youth and to spend an afternoon with your son, daughter, niece, or nephew. Past that, it's nothing more than a slightly darker kid's movie (the fight between Raphael and Leonardo has pretty dark tones, regardless of age). Remember the way the newest King Kong remake reduced everyone to eye-popping adolescence? TMNT does the same thing except on a much more select scale; call me biased. Word has it that a similar technique will be employed for the next Ghostbusters movie. Count me in.

film Twins Mission Images

The story is about a stolen Dzi bead from Tibet. The Dzi bead is on its way to Hong Kong for exhibition when it’s stolen. The guardian of the Dzi bead, Lucky and his adopted son tracked down the Dzi bead. Their investigation leads to a mysterious Gemini Clan. On an assault Lucky is seriously wounded and they seek out a help from the Principal, a retired guardian. With the help of the Principal and his students they fight the gang to get the Dzi bead back. Surprisingly the leader of the clan is the Principle’s twin brother.

Mutiara Langit Buddha dalam perjalanan menuju Hong Kong untuk dipamerkan. Dalam perjalanan Mutiara Langit dirampok oleh sekelompok orang misterius. Penjaga Mutiara Langit Buddha, Lucky dan putra adopsinya melacak keberadaan mutiara tersbeut. Penyelidikan mereka tertuju pada klan Gemini yang misterius. Pada sebuah penyerangan, Lucky terluka parah dan mereka mencari pertolongan dari Kepala Sekolah, seorang mantan penjaga mutiara. Dengan bantuan Kepala Sekolah dan para siswanya, mereka melawan kelompok yang mencuri mutiara tersebut untuk merebutnya kembali. Secara mengejutkan, pimpinan dari klan adalah saudara kembar sang Kepala Sekolah.

Players: SAMMO HUNG, WU JING, GILLIAN CHUNG, CHARLENE CHOI
Directed by: KONG TAO HOI
Written by: SAI-KEUNG FONG

They won't go away, and most people don't want them to. Charlene Choi and Gillian Chung, AKA: The Twins, are now their own institution, having created a complete minigenre of sloppy motion pictures packaged entirely around their grinning, uber-cute mugs. In a time when Hong Kong Entertainment is seriously suffering, these two girls have managed to capture the hearts and wallets of numerous preteens (and disturbingly enough, even some post-teens) looking for the latest and not-so-greatest out of Hong Kong. Still, the girls themselves aren't really that bad, and have shown some talent amidst the sloppy blockbusters, cheesy music videos, and shopping mall appearances their EEG indentured service contracts stipulate. Though they've yet to graduate to true A-list actor status, the girls have something going for them beside marketing support. Unfortunately, Twins Mission doesn't do anything to expand on whatever potential the Twins possess, and instead serves up a messy and frankly inane motion picture that wastes the talents of nearly everyone involved. At least your kids may enjoy it.

The terrible EEG twosome play Jade and Pearl, a couple of acrobatic circus girls who are actually billed as twins, though really look very little alike. The girls spend their days performing in the circus, while sparring over their mutual obsession with David Copperfield. You see, the girls REALLY like David Copperfield, and will even engage in mini kung-fu battles in their dressing room over who gets to be Copperfield's future wife. They also argue over an autographed photo of Copperfield during a circus performance, whereupon the photo ends up in a hungry hippo's maw. This is obviously comedy gold. Forget the fact that neither girl knows David Copperfield, what's scary here is that someone actually wrote this plot point into the film and assumed it would be interesting enough to carry three or four scenes in a major motion picture. It obviously isn't that interesting, but neither is the rest of Twins Mission, which makes those Twins Effect movies look like rich narrative masterpieces. Yes, Twins Mission is that ill-conceived.

Here's the rundown on Twins Mission: before they became drooling David Copperfield groupies, the girls were previously members of a weird organization known as "The Twins", where groups of twins were trained into kung-fu masters in order to perpetrate spiffy feats of high-tech thievery. A former member of the Twins is Lau Hay (Wu Jing), whose twin brother is deathly ill with cancer. Lau Hay is traveling with a roving Buddhist caravan led by Uncle Luck (Sammo Hung), who's charged with protecting the "Heaven's Bead", a cheap-looking MacGuffin that supposedly has mystical healing powers. However, some evil Twins are after the Bead, because their boss, Mr. Mok (Sek Sau), wants it to trade it with the beautiful Lilian (Jess Zhang), who owns a plot of land that he's after. Mok figures she'll trade the land for the Bead because her sister Happy (Qiu Lier) has cancer. But Mok's shadowy partner-in-crime apparently wants the Bead for other reasons, though its never truly explained. What we do know is that the Bead has somehow ended up with sex shop proprietor Fred (Steven Cheung of Boy'z), who hides out in a shopping mall after the evil Twins force feed rats to his buddy. Fearing a similar fate, he hides in his own shop and doesn't run away like a smart guy would.

Somehow, Uncle Luck and former Twins leader Chang Chung (Yuen Wah) convince Pearl, Jade, and a bunch of good Twins members to join them to stop Mok from getting the Bead. Or maybe they don't want Mok to get the land. Or maybe their goal is simply restoring the estranged relationship between Chang Chung and his former Twins charges, which soured after he left them with the circus, removed their Twins-identifying tattoos by searing them with an iron, and broke his promise to buy them McDonald's hamburgers. Um...yeah. We'll stop talking about the plot now because if you haven't figured it out already, it's pretty much a mess. As crappy storylines go, Twins Mission takes the cake, because it doesn't even provide a logical reason for any of its onscreen excesses to occur. Is all this hand-wringing occurring because everyone wants to save the crying girl with cancer? Or is there a larger value to the Heaven's Bead that causes people to throw away their lives and enlist in a completely unnecessary crusade? Why can't Mok find an easier, less roundabout way to get the land he's looking for? And is the promise of some kung-fu action worth this completely inane and incomprehensible movie?

The answer to that last question: sometimes. Twins Mission does serve up the requisite doses of energetic martial arts action, and it does it frequently enough that one may forgive the film's other glaring debits. The fights involving the Twins aren't so hot; they're heavily wire-assisted and largely edited to hide the fact that the girls are doubled. Luckily, the lion's share of martial arts action is performed by Sammo Hung, Yuen Wah, and Wu Jing - in other words, guys who actually know their stuff instead of miniature girls who are just faking it. If you're looking for scenes of the three martial artists going at it, then you may find some joy in Twins Mission, provided that you do two things: lower your expectations and hit the fast-forward button to skip all the filler. The film's action sequences are not inventive or especially noteworthy, though they do provide enough impact and routine flair to entertain. The filmmakers have the good sense to let Wu Jing handle the most key martial arts sequences, relegating the Twins to comic relief duty during the film's loaded climax. There's also the opportunity to see a rare Yuen Wah vs. Yuen Wah match, plus the presumably amusing sight of seeing scads of real-life twins duking it out. In one of the film's unique achievements, real twins were cast as the movie's Twins, meaning these are actors who can fake kung-fu AND have a twin sibling. Apparently you can find anything in China.

Sadly, the action is only one portion of Twins Mission, and the rest is hard to deem as acceptable. Aside from the criminally uninteresting plot, the film is directed in a messy and unconvincing manner, and possesses leaden exposition and a bombastic music score that's never earned. The actors don't play characters as much as they play character outlines, and their personal trials and conflicts are barely developed, if not completely nonexistent. Also, the CG effects are amateurish in a manner unbecoming of a film industry wishing to be taken more seriously. Worst of all, the filmmakers have the gall to set things up for a sequel, which is an iffy prospect anyway because Twins Mission doesn't even generate enough interest to warrant its own existence, let alone a sequel. The characters and situations never interest that much, so why should anyone out there want a sequel? Just so we can get more crappy visual effects and faked fighting by the Twins? Have Hong Kong audiences really sunk that low?

Probably yes, as the current vogue of popstar-fueled everything in Hong Kong Cinema is as much a reflection of the public's tastes as it is of EEG's marketing muscles. Justified or not, people like the Twins, and Twins Mission is fast and silly enough to charm the preteen audience that snaps up their CDs, photo albums, and diet drinks. They may not even mind that the Twins are just ensemble players here, since the girls do appear in their most popular variation, i.e. as adorable, feisty girls whose cuteness is as non-threatening as it is photogenic. The rest of us will merely have to contend ourselves with the decent action, plus another missed opportunity to see the Twins do something other than smile, pout, and act silly. The Twins have been around for six years and fans are forever talking about their potential. They seem to have some, so wouldn't now be the time to build upon it? They can't stay this young and charming forever, so building upon the promise shown in films like Funeral March, Beyond Our Ken, Diary, or even A Chinese Tall Story would be a good way to go for either girl. It would be better for us, too.

film The Holiday Images

Amanda and Iris (Cameron Diaz, Kate Winslet) switch houses over the Christmas holidays to try to escape their problems, little knowing that their new surroundings will bring them more than the much-needed change they were seeking.

Amanda dan Iris (Cameron Diaz, Kate WInslet) bertukar rumah tinggal selama liburan Natal, mencoba menghindar dari masalah mereka masing-masing, tanpa mengetahui bahwa sekeliling mereka membawa perubahan yang selama ini mereka cari.

Players: CAMERON DIAZ, KATE WINSLET, JUDE LAW, JACK BLACK, EDWARD BURNS, RUFUS SEWELL
Directed by: NANCY MEYERS
Written by: NANCY MEYERS
Producer: BRUCE A BLOCK, NANCY MEYERS
Production Company: COLUMBIA PICTURES AND UNIVERSAL PICTURES
Homepage: http://www.sonypictures.com/movies/theholiday/index.html
Trailer: http://www.sonypictures.com/movies/theholiday/index.html

Nancy Meyers officially displaces Sleepless in Seattle director Nora Ephron as the crown-wearing queen of winsome, middle-concept romantic comedies.

Granted, the writer-director has been staffing a cache of headstrong and heartfelt female characters since she penned Private Benjamin in 1980. But it's the back-to-back-to-back musings of What Women Want, Something's Gotta Give, and her current affair The Holiday that elevate her to the summit of palatable sap.

Meyers' screenplays light gentle fires under our hearts. As a director, she shoots very bright and extremely clean -- shadows have no place in her optimistic imagination. At her peak, Meyers brought a tender sense of parental pride to the 1991 Father of the Bride remake with Steve Martin and Diane Keaton. And when Meyers feels compelled to pour Hallmark-worthy cheese over her storybook fantasies, she understands when to pull back before our gag reflexes are triggered.

The only thing Meyers doesn't know how to do is shorten her pleasant excursions. Women beat its one joke (a man can read ladies' thoughts) for an eternity, and my patience eventually gave with Give. The same problem plagues Holiday, which largely entertains, but has no business being two hours and 15 minutes long.

A grass-is-always-greener concept finds workaholic women Amanda (Cameron Diaz) and Iris (Kate Winslet) trading abodes for two weeks. Standoffish So-Cal princess Amanda flees to a quiet cottage outside London, while insecure wallflower Iris hopes the warm California sun can melt away thoughts of her possessive ex-boyfriend (Rufus Sewell). The former enters a whirlwind romance with Iris’ ridiculously charming older brother, Graham (Jude Law). The latter goes Hollywood by striking up friendships with two film-industry professionals -- veteran screenwriter Arthur Abbott (a wise Eli Wallach) and endearing musician Miles (Jack Black).

Meyers targets (and connects with) easy jokes that all age ranges can find humor in. She shoots scenic locations we dream of visiting, from England's rustic countryside to Los Angeles' palatial gated communities. Her characters hold dream jobs (Graham is a wealthy book editor, Miles composes film scores), and have problems that can be fixed in the allotted time frame.

The charming male suitors make out better than the ladies they pursue though Holiday. A relaxed Law is at his most debonair, letting the humor in each situation come to him. This is the best I've seen him in some time. Black, meanwhile, keeps his boisterous frat-boy personality in check to find the vulnerable and appreciative side of his character. As for Diaz and Winslet, they recycle emotional riffs each has played before in rival comedies.

Right around the time you start to feel Holiday's length, though, Meyers pulls back the curtain on a soft surprise and the charming endeavor reapplies its spell. Holiday is a pleasant diversion, a comedy that's as adorable as it is comfortably predictable.

film The Illusionist Images

When word of the mysterious stage magician Eisenheim’s (Edward Norton) astounding illusions reaches the powerful and pragmatic Crown Prince Leopold (Rufus Sewell), the ruler attends one of the magician's shows in order to debunk Eisenheim during the performance. But when the Prince's intended, Sophie von Teschen (Jessica Biel), assists the magician onstage, Eisenheim and Sophie recognize each other from their childhoods—and a dormant love affair is rekindled.

As the clandestine romance continues, shrewd Chief Inspector Uhl (Paul Giamatti) is charged by Leopold to intensify his efforts to expose Eisenheim, even while the magician gains a devoted and vocal public following. With Uhl doggedly searching for the reasons and the man behind the trickery, Eisenheim prepares to execute his greatest illusion yet.

Saat perkataan pesulap Eisenhelm (Edward Norton) diatas panggung, ilusi-ilusi yang menakjubkan Pangeran Leopold (Rufus Sewell), kala sang pemimpin hadir di salah satu penampilan sulap untuk membuktikan kepiawaian Eisenheim. Pada saat itu, Sophie von Teschen (Jessica Biel), tunangan Pangeran, membantu sang pesulap diatas panggung. Eisenheim dan Sophie sudah saling mengenal sejak kecil – dan cinta mereka tumbuh kembali.

Saat hubungan gelap mereka berlanjut, Kepala Inspektor lihai, Uhl (Paul Giamatti) ditugaskan oleh Leopold untuk memperbesar usahanya menentang Eisenheim yang dituduh sebagai penipu, meskipun ia mendapatkan dukungan publik. Uhl dengan gigih mencari sebab dan pelaku dibalik penipuan tersebut, sementara Eisenheim bersiap-siap melaksanakan ilusinya yang luar biasa.


Players: EDWARD NORTON, JESSICA BIEL, PAUL GIAMATTI, RUFUS SEWELL, TOM FISHER, JACK WOOD
Directed by: NEIL BURGER
Written by: NEIL BURGER
Production Company: ODEON FILMS
Homepage: http://www.theillusionist.com/
Trailer: http://www.theillusionist.com/

There's something in Paul Giamatti that was just made for the 19th century. With those slightly bulbous but penetrating eyes and stolid weariness, one can imagine him looking out of an old daguerreotype with hat in hand, an emblem of a less superficial age. So it's nice to see Giamatti (so often made to play the whiny comic relief) cast in the otherwise dismissible film The Illusionist as a gruff policeman in fin de siècle Vienna, dropping his voice into a lower register than usual and assuming an impressive stature; honorable but shaded with a tiny bit of incipient corruption. If only everything else in the film worked this well.

Based on a short story by Steven Millhauser, a Pulitzer winner given to tidy exposition and nostalgic settings, The Illusionist concerns a stage magician who was separated from the love of his love due to his peasant roots and her aristocratic family, only to meet her years later on stage, when she is betrothed to a villainous crown prince. The magician, Eisenheim, is played stiffly by Edward Norton, without a shred of humor or self-awareness. Somewhat in keeping with his performance is that by Jessica Biel as his beloved, Sophie von Teschen -- whose beauty helps brighten these lamp-lit rooms, but who is never close to believable as a Viennese noblewoman. Rather more in keeping with the spirit of the rather melodramatic story is Rufus Sewell, as the evil Crown Prince Leopold, who swans through the film with cigarette holder perched lightly in one hand, his face a deliciously, maliciously bored mask.

Sewell and Giamatti are about the only things livening up the attempt by director/writer Neil Burger (Interview with the Assassin) to spread Millhauser's brief fiction over the length of a feature. A lengthy prelude following Eisenheim and Sophie's young love is played out much longer than necessary, while Eisenheim's performances are padded beyond any possible audience interest. Every now and again, for the sake of drama, Leopold snarls at Giamatti's Chief Inspector Uhl to shut down this Eisenheim, who in his performances has gone out of his way to gall the prince, partially as a way of wooing Sophie. Everything in the film is handsomely mounted, with its sepia-tinted cinematography and unusually dramatic, strings-laden score by Philip Glass, but by the time it comes to the over-plotted and un-shocking bag-of-tricks conclusion, Burger's fussy look has started to feel more confining than beautiful.

For a time, The Illusionist is indeed able to conjure up some magic, the illusion of being an original and captivating film. Eisenheim has a nice scene when, at the start of a performance, the curtains draw back and he walks out, pulling his gloves off and abruptly throwing them into the audience, only to have them turn into black birds and flutter away. And Giamatti can at least be happy to have acquitted himself well in a film that, if anyone sees it, will hopefully result in him being offered fewer roles as the loveable loser. But as such things go, once The Illusionist's great reveal is uncovered, what comes then is not awe and astonishment so much as disappointment, tinged with boredom.

An American Haunting Images

Between 1818 and 1820, the Bell family of Red River, Tennessee were haunted by a ghost that focused mainly on their teen daughter Betsy (Rachel Hurd-Wood). As her parents (Sissy Spacek, Donald Sutherland) and acquaintances try to find ways of exorcising the house of the ghost, the situation only got worse, leading to a fatal conclusion to the sad tale.

Antara tahun 1818 dan 1820, keluarga Bell dari Red River, Tennessee dihantui oleh sosok hantu yang mengintai putri remaja mereka, Betsy (Rachel Hurd-Wood). Sebagai orang tua (Sissy Spacek, Donald Sutherland) dan rasa ketidaktahuan, mereka mencoba menemukan cara untuk mengusir hantu dari rumah tersebut, keadaan ternyata semakin parah, membawa mereka kepada kisah menyedihkan.

Players: DONALD SUTHERLAND, SISSY SPACEK, RACHEL HURD-WOOD, JAMES D’ARCY, MATTHEW MARS
Directed by: COURTNEY SOLOMON
Written by: COURTNEY SOLOMON / BRENT MONAHAN
Production Company: LIONS GATE
Homepage: http://www.anamericanhauntingmovie.co.uk/
Trailer: http://www.anamericanhauntingmovie.co.uk/


Before my showing of An American Haunting, there were projector problems. Ninety-five minutes later, rolling my eyes like Marty Feldman on airplane glue, I felt I would have been much happier if the repairs had never been made. It was like spending an afternoon in the world’s lamest haunted house.

The movie covers the only recorded event of a human being dying from a spirit, which took place in Red River, Tennessee in the early 1800s. The events unfold after John Bell (Donald Sutherland) is cast off by his church for committing usury. The victim of Bell’s shady business practices, an alleged witch, then threatens Bell: “I swear a dreadful darkness will fall upon you, and your precious daughter, too.” That statement, by the way, should be amended to include the audience.

Soon after those ominous words, Bell’s “precious daughter,” Betsy (Rachel Hurd-Wood), has visions of a creepy girl that looks like the one from The Ring, endures terrible nightmares, and gets thrown around her bedroom like the patsy in a wrestling match. Betsy’s parents, a family friend, and her professor all try to rid the Bell house of the evil forces giving her such nighttime grief.

What happens between Betsy’s first horrifying experience and the end of the movie is nearly unbearable. Director/writer Courtney Solomon’s (Dungeons & Dragons) setup is as follows: Betsy gets possessed and thrown around her bedroom; the Bell family gets concerned and holds a meeting; repeat about eight billion times. None of this is scary because it’s redundant, and Solomon’s timing is always off. The best horror movies work in a cause and effect pattern. Example: The gymnasium doors closing on Carrie’s classmates and teachers is the most gut-wrenching part of that movie’s classic ending. Once we know there’s no way out, the dread rises and the ensuing bloodbath is actually anticlimactic.

Unfortunately, Solomon ignores this maxim. He devotes countless minutes to Hurd-Wood, looking runway model perfect throughout, writhing in her bed and scurrying across the floor. These actions (some of which, by the way, are unintentionally funny) are never prefaced by anything. A basic theory of film study is that audiences are scared by what they don’t see, but that doesn’t mean they don’t want to be teased or seduced. Solomon crams cheap fright down the audience’s throat, ignoring setup or creativity. To wit, there's a lame modern-day tie-in that makes absolutely no sense and, surprise, isn’t scary, either. Also, the movie doesn’t end as much as screech to a halt, as if creditors were coming any minute to grab the dolly tracks.

The scariest part of An American Haunting is how Sutherland and Sissy Spacek, playing his wife, got roped into this project. Neither role reflects their stellar careers, especially Spacek, who got her last Oscar nod for 2001’s In the Bedroom, which now seems like a lifetime ago. I hope Solomon kept a lot of behind-the-scenes footage, because the stars’ dawning comprehension that they were in this steaming pile is probably hell of a lot scarier than anything in An American Haunting.

film SILENT PARTNER Images

Gordon Patrick (Nick Moran), a young CIA analyst is assigned to investigate the mysterious death of a major Russian political figure. In Moscow, Gordon meets Dina (Tara Reid), a street-smart woman with a mysterious past. She leads him down a perilous journey of no return: where organized crime, assassinations, deadly betrayal and political corruption at the highest level are just the tip of the iceberg. In the end, Gordon faces the brutal reality that those you trust the most are the ones you should trust the least.

Gordon Patrick (Nick Moran), seorang analis muda CIA diberi tugas untuk menyelidiki kematian misterius seorang tokoh politik utama Rusia. Di Moskow, ia menemui Dina (Tara Reid), seorang wanita cerdas dengan masa lalu misterius. Ia menuntun Gordon kedalam perjalanan berbahaya tanpa dapat kembali lagi: di mana kejahatan, pembunuhan, pengkhianatan dan korupsi politik berbahaya berada di puncak kekuasaan. Pada akhirnya, Gordon menghadapi kenyataan brutal bahwa orang-orang yang ia percayai adalah mereka yang seharusnya tidak ia percaya.

Players: TARA REID, NICK MORAN, KATRINA M. FAESSEL, LYUBOV GERMANOVA
Directed by: JAMES D. DECK
Written by: JAMES D. DECK
Production Company: SYNDICATE FILMS

Silent Partner

Gordon Patrick, young analyst of the CIA, should investigate the mysterious death of an important Russian politician. Soon it does friendship with Dina, an intelligent youth with a secret past.

And she carries directly to a dangerous point without return, in which the more he advances more dangerous he returns : crime organized, political murders and the murky financing of a campaign, they are only the tip of the iceberg.

Finally , Gordon should be faced to a brutal reality: those in which has trusted they are in which should never have believed

The whole thing at the above is a snack worth for a weekend

A romantic comedy that gently ribs the marriage fever that afflicts the many, Pippa (Heather Graham), a travel writer who makes the most of her bachelorette lifestyle. Returning home for yet another old friend’s wedding, Pippa finds her media mogul dad in his sickbed and in need of someone to take over at his Wedding Bells magazine. Agreeing reluctantly, Pippa must now adapt to the 9-to-5, as well as working under her-dad-appointed mentor, Ian Gray (David Sutcliffe).

Sebuah kisah komedi romantis, Pippa (Heater Graham), penulis lepas yang sangat menikmati kehidupan lajangnya. Sekembalinya ke kota asalnya, Pippa mendapati ayahnya sakit dan memerlukan seseorang untuk mengambil alih menjalankan majalah Wedding Bells miliknya. Dengan berat hati, Pippa harus beradaptasi pada jam kerja, seperti halnya juga bekerja pada penasehat pribadi ayahnya, Ian Gray (David Sutcliffe).

Players: HEATHER GRAHAM, DAVID SUTCLIFFE, SANDRA OH, TAYE DIGGS, CHERYL HINES
Directed by: NISHA GANATRA
Written by: TASSIE CAMERON
Production Company: TVA FILMS

18-year-old Jenny (Amanda Bynes) is the biggest fan of rock star Jason (Chris Carmack). She works at an island resort, and while on an excursion her boat goes down, and she washes ashore on a deserted island -- with Jason!

There are a few twists, though...unbeknownst to Jason, Jenny and he have touched down on the opposite side of the island the resort is on. So Jenny will try to play the "stranded" bit for as long as possible. And there's another complication: Jenny's rival, Brittany, who pretends to be shipwrecked herself and makes a play for Jason too.

Jenny (Amanda Bynes) - 18 tahun - penggemar bintang penyanyi rock bernama Jason. Ia bekerja di pulau tempat peristirahatan, dan saat kapal darmawisata tenggelam, ia terdampar di pantai di pulau lengang -- bersama Jason!

Ada beberapa penyimpangan, tanpa sepengetahuan Jason, Jenny dan dia sudah mendarat di sisi lain dari pulau tersebut. Oleh sebab itu Jenny akan mencoba berpura-pura memperbaiki kapal yang "karam" selama mungkin. Dan ada masalah lain: saingan Jenny, Brittany, yang berpura-pura terkandas sendirian, berusaha mencuri perhatian Jason pula.

Players: CHRIS CARMACK, JONATHAN BENNETT, AMANDA BYNES, SEAN PATRICK THOMAS
Directed by: STEPHEN LANGFORD
Written by: RANDAL KLEISER
Production Company: MEDIA 8 ENTERTAINMENT
Love Wrecked

Film PERHAPS LOVE Images

The story revolves around a love triangle wrapped in a movie-within-a-movie, and is punctuated throughout by the heartfelt score and love songs. Film student Lin Jian Tung (Takeshi Kaneshiro) falls for Suen Na (Zhou Xun), yet she values her career higher than love and flees the relationship. A decade later, Suen has become a leading movie star with the help of her lover, renowned director Nip Man (Jacky Cheung), while Lin Jian Tung has also become a star of his own right.

Fate brings them back together and dictates them to collaborate in a musical about the love triangle, an irony which reflects the harsh reality. Jealousy, hatred and passion intertwine and culminate with the intervention of a seasoned fairy, a modern Cupid who shares their joy and sorrow.

Cerita berputar sekitar cinta segitiga tersaji film-dalam-film, diselingi oleh lagu cinta. Mahasiswa fakultas film, Lin Jian Tung (Takeshi Kaneshiro) jatuh cinta pada Suen Na (Zhou Xun), namun dia menghargai karirnya lebih tinggi daripada cinta dan melarikan diri dari sebuah hubungan. Satu dekade berlalu, Suen telah menjadi bintang film terkenal atas bantuan kekasihnya, sutradara terkenal, Nip Man (Jacky Cheung), begitu pula dengan Lin Jian Tung.

Nasib mempertemukan mereka kembali dan bekerjasama disebuah komedi musikal mengenai cinta segitiga, sebuah ironi dimana menggambarkan kenyataan sesungguhnya. Kecemburuan, kebencian dan nafsu saling berkaitan dan memuncak serta intervensi dan intriknya, Dewa Asmara masa kini yang memberikan kegembiraan dan duka pada mereka.

Players: TAKESHI KANESHIRO, XUN ZHOU, JACKY CHEUNG, JIN-HEE JI
Directed by: PETER HO-SUN CHAN
Written by: AUBREY LAM / RAYMOND TO
Production Company: APPLAUSE PICTURES
Homepage: http://www.perhapslovemovie.com/main.html
Trailer: http://www.perhapslovemovie.com/main.html
Perhaps Love


UNDERCLASSMAN Images

LA’s youngest cop Tre Stokes (Nick Cannon) is about to get his biggest assignment: he must go undercover to break up a dangerous crime ring rooted in upscale prep school. The deeper Tre goes the more dangerous and volatile the situation becomes. Fighting both his personal demons and the forces determined to take him down, he must risk everything to catch the one closest to him.

Diadaptasi dari cerita pendek tahun 1950 dengan judul yang sama karya penulis China terkenal Eileen Chang, diangkat dari kisah nyata di tahun 1939-1940. Berlatar era Perang Dunia II di Shanghai dan Hong Kong. Mengisahkan sekelompok pelajar China berkomplot membunuh seorang penguasa yang bekerjasama dengan warga Jepang, dan menggunakan seorang wanita sebagai umpan.

Pemenang Film Terbaik (Golden Lion) pada Venice International Film Festival 2007.

Players: NICK CANNON, ROSELYN SANCHEZ, SHAWN ASHMORE
Directed by: MARCOS SIEGA
Written by: BRENT GOLDBERG/DAVID WAGNER
Production Company: MIRAMAX FILMS
Homepage: http://www.miramax.com/underclassman/
Trailer: http://www.miramax.com/underclassman/
Underclassman


In a memorable Chapelle’s Show sketch, Dave Chapelle’s “son” raves about Nick Cannon to his frustrated father, having just lost a role to the young star of Drumline and Love Don’t Cost a Thing. “Nick Cannon’s hilarious,” the kid gushes, provoking his already enraged father: “I'm glad you think he's so goddamn hilarious because he just walked off with your school clothes money… I'm broke nigga, I'm broke!”
Cannon has another starring role in Underclassman, and the younger Chappelle might want to think long and hard about where his allegiances lie. Cannon, who also served as an executive producer, stars as a baby-faced bike cop who goes undercover at a California prep school to investigate a student’s murder. He soon discovers that there are a lot more shady happenings at the posh school and that learning is fun at any age. Of course, it helps immeasurably if the sultry Roselyn Sanchez is your Spanish teacher, but I digress.
The movie is wholly a vehicle for Cannon to strut his stuff. (He also gets story credit). That would be fantastic if Cannon had anything to flaunt, though he does have a smooth basketball game, as evidenced in the several scenes where the lanky actor shoots hoops. Where it counts, as a comedian, he sounds like he’s channeling Chris Tucker from the first two Rush Hour movies. Considering how annoying that whole shtick became, that’s not anything to be writing home about.
Underclassman isn’t bad, it’s just lazy. Cannon’s barrage of one-liners sounds like Chris Rock’s rejects from Lethal Weapon 4. The movie makes half-hearted stabs at establishing a rapport between Cannon and his boss (Cheech Marin, a welcome presence) and Sanchez, only to dabble in basketball games, jet ski races, and house parties with well-endowed extras.
For end-of-summer fun, Underclassman doesn’t flunk, but it barely receives a passing grade. The good news is Cannon is still young (24), so there’s plenty of time for him to find his own voice and find more original material. Maybe his new improv show on MTV, Wild N’ Out, will serve as a springboard, because Underclassman won’t cut it for the future. Otherwise, another line from Chappelle’s show might become more relevant: “Who? Who’s Nick Cannon?”
The DVD includes deleted scenes, commentary track, screen tests, and the required making-of short film.

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